Commissioned and screened by Channel 4 in 1994, Artwar is considered by Jeff Keen to be one of the culminating titles of all his work. This was a striking period in Keen's work, demonstrating his irrepressible drive to create. He was in his seventies at the time, but felt no doubts about working with a new medium.
Damian Toal worked on the project as editor, as he did on most, if not all,
of Keen's videos in the early 1990s. Keen and Toal delivered two versions of the
project to Channel 4: one in sections with different intertitles; the other
running straight through without interruption. Keen hoped that they could
present the small sections unannounced around other broadcasts, something that
Channel 4 refused. He even went as far as to make the sections the same length
as the weather forecasts of the time.
As its title suggests, the violence in Artwar is more pronounced than in
Keen's earlier work, but the wit, humour and references remain. One section,
'Draw He Said', is built on a punning reference to drawing as an art and the
action of drawing a gun - guns and cowboys have been referenced by Keen from as
early as 1960. Wail from that year features a short animation of blasting
cowboys.
Artwar was made when the so-called YBAs, a new generation of Young British
Artists, centred around Damien Hirst, were developing their reputations and in
some instances making works on video. The film's playfulness and references to
popular culture, as well as its darkness, make some connection with the
YBAs' work, but culturally it comes from a different position. Keen's work is
more direct and while it contains much humour cannot be said to be ironic. His
articulations come not from being brought up in a culture that is obsessed with
war and violence but from experiencing these things first hand. This is why
Artwar is so important to him. Keen is also uncertain about the contemporary art
world and his work has found little acceptance within it. Despite the fact that
he draws and paints, his work has almost always been screened in the context of
experimental film.
Keen has made numerous other versions and reworkings of Artwar, using
video and super 8.
William Fowler *This film is included in the BFI DVD and Blu-ray compilations GAZWRX: The Films of Jeff Keen.
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