One of his funniest and best constructed films, this was the
first cinema starring role for variety comedian Norman Wisdom. Its success
spawned a massively popular series of films based around Norman's comic persona,
'The Gump', an enthusiastic but accident prone working-class everyman, often
clad in ill-fitting suit and cap.
By the 1950s, Wisdom was an established theatre and television star.
Consequently, he was signed to a seven-year film contract with the Rank
Organisation. However, Rank executives were anxious as to whether Wisdom's
distinctive style could be effectively reproduced on the big screen.
Eventually, Jill Craigie wrote a vehicle for him, "a satire on a big store in
a Chaplinesque vein, with plenty of scope for slapstick". In this and subsequent
films, Wisdom's 'little man' struggles to get by, hemmed in by social class and
corporate might.
Initially, the atmosphere on set was described by Wisdom as "tense as a
bow-string, from the director down to the clapperboy". After initial disputes,
particularly over Wisdom's input into the window dressing scene, Wisdom and
director John Paddy Carstairs cemented an efficient working relationship which
produced six films. Rank hedged its bets by hiring an excellent supporting cast,
including Jerry Desmonde, Wisdom's greatest foil, Joan Sims, Lana Morris and,
notably, Margaret Rutherford as an eccentric shoplifter.
Rank nervously previewed the film at a special screening. Wisdom recalled
that "a gale of laughter swept through the audience"; afterwards, "the Rank
chiefs and their wives clustered around to pump my hand." The film was a
much-needed hit for Rank. In London alone, though it was denied a West End
release, the film broke box office records in 51 of the 67 cinemas where it
played. Successful, too, were the film's songs; 'Don't Laugh At Me', co-written
by the comedian, was a Top Twenty hit, spending fifteen weeks in the charts.
Vic Pratt
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