This is essentially an experimental film, designed to explore the possibilities of the Dynamic Frame technique evolved by Glenn H. Alvey, Jr. The aim of this method is to combine the advantages of the new big screens with an ability to compose in close-up, to select detail, to emphasise mood.
The dimensions of the frame (in this case VistaVision) change both laterally and vertically - in cutting from one shot to another and during a full scene. Dynamic Frame, however, is based on an intelligent idea, and some of its effects in this short-story film are sufficiently striking to indicate that it has a most valuable future.
Monthly Film Bulletin, July 1956
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