"I've been asked to come before you to recount some of my experiences, I...
I... hope you enjoy them". Delivered direct-to-camera by Help Yourself's
protagonist, Joe the Burglar, these opening words invite us into a murky world
of petty crime and housebreaking, landmarked by seedy pubs, pawnshops and
run-ins with the law. The film adopts the point of view of the cheerfully amoral
Joe, who 'works' for a living like everyone else, albeit ransacking people's
homes at Christmas time. Like any satisfied businessman, Joe praises his
customers for their "extraordinary helpfulness" and for "leaving windows open
and keys where they can easily be found."
The constraints of propagandist aims, low budgets and limited running time
meant that makers of public information films had to be at their most inventive
and resourceful. Here, the stylistics of contemporary, gritty postwar crime
features are drawn upon to drive the film's propagandist message home, with
shadowy lighting, seedy milieu and an agitated soundtrack becoming tools of
public enlightenment. Shorthand visual devices succinctly convey narrative
information; the film's denouement unfolds in just a couple of shots. Fleeing
the law, Joe boards the number 59 bus. A close-up of the bus's destination panel
implies that Joe might be on his way to Brixton Prison - an implication neatly
confirmed by a shot of a defeated-looking Joe in prison garb.
Many postwar COI films were designed to demonstrate the effectiveness of our
social institutions in reforming wayward citizens, in films like A Man on Trial
(1952) or Children on Trial (1946). There is no such suggestion of
rehabilitation for Joe. In comedy, central characters typically do not
fundamentally change, and here, Joe is presented as an irredeemable threat.
After a short stretch at Her Majesty's Pleasure, he is once again a visceral
presence down the local pub (never more visceral than when he hacks up a lungful
of phlegm into a dirty handkerchief, before knocking back a 'pint of wallop'
before his next 'job'). The onus is on us: as long as we remain careless and
complacent, social parasites like Joe will thrive. This is propaganda at its
most entertaining.
Help Yourself was distributed to cinemas and non-theatrical venues to
coincide with a Home Office touring exhibition, 'The Burglar and You', which was
displayed in cinema foyers, department stores and other public spaces.
Screenings were often accompanied by a lecture in crime detection by local Chief
Constables.
Katy McGahan *This film is included in the BFI DVD compilation 'The COI Collection Volume 1: Police and Thieves'.
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