Adapting Vivaldi's notation system from The Four Seasons, Peter Greenaway presents a series of images shot in Venice, purposefully denying any presence of water. His sequence structure is exact and countable: one series of images is repeated three times while the soundtrack grows in levels of sophistication. Laurel Warbrick-Keay *This film is included in the BFI DVD compilation 'The Early Films of Peter Greenaway Volume 1'.
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