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Film & TV credits
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| Film credits |
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ELDORADO | France, 1921 | costume design |
RESURRECTION | France, 1923 | production design |
L' INHUMAINE / THE NEW ENCHANTMENT | France, 1924 | Art Director |
LA BARRACA DE LOS MONSTRUOS / LA GALERIE DES MONSTRES | France/Spain, 1924 | Assistant Director |
FEU MATHIAS PASCAL / THE LATE MATHIAS PASCAL | France, 1925 | Art Director |
RIEN QUE LES HEURES / THE BOOK OF HOURS | France, 1926 | Director |
THE LITTLE PEOPLE | 1926 | Art Director |
LA P'TITE LILIE | France, 1927 | Director, Screenplay, Editor |
YVETTE | France, 1927 | Director, Adaptation, Editor |
LE TRAIN SANS YEUX | France, 1927 | Director |
LA JALOUSIE DU BARBOUILLE | 1927 | Director |
EN RADE / SEA FEVER | France, 1927 | Director |
LE CAPITAINE FRACASSE | France, 1928 | Director |
TIRE AU FLANC | France, 1928 | Adaptation |
LE PETIT CHAPERON ROUGE / LITTLE RED RIDING HOOD | France, 1929 | Director / Cast Member |
VOUS VERREZ LA SEMAINE PROCHAINE | France, 1929 | Director |
A CANCAO DO BERCO | Portugal, 1930 | Director |
TOUTE SA VIE | US/France, 1930 | Director |
DANS UNE ILE PERDUE | France, 1930 | director |
LES VACANCES DU DIABLE | France, 1931 | director, screenplay |
A MI-CHEMIN DU CIEL | France, 1931 | Director, Adaptation |
LE TRUC DU BRESILIEN | France, 1932 | Director, Screenplay |
NOUS NE FERONS JAMAIS DE CINEMA | France, 1932 | Director |
TOUR DE CHANT | France, 1932 | Director |
REVUE MONTMARTROISE | France, 1932 | Director |
LE JOUR DU FROTTEUR | France, 1932 | Director |
EN LISANT LE JOURNAL | France, 1932 | Director |
LE MARI GARCON | France, 1933 | Director |
PLAISIRS DEFENDUS | France, 1933 | Director |
CORALIE ET CIE | France, 1933 | Director |
WINDMILL IN BARBADOS | 1933 | Sound (uncredited) |
GRANTON TRAWLER | 1934 | Sound |
PETT AND POTT: A FAIRY STORY OF THE SUBURBS | 1934 | Director, screenplay (uncredited), Sound Supervisor (uncredited), Editor (uncredited) / J. Leviticus (uncredited) |
THE SONG OF CEYLON | 1934 | Sound Supervisor (uncredited) |
THE GLORIOUS SIXTH OF JUNE / NEW RATES | 1934 | Director |
COAL FACE | 1935 | Director (uncredited), Screenplay (uncredited) |
THE KING'S STAMP | 1935 | Producer (uncredited) |
BBC THE VOICE OF BRITAIN | 1935 | Production (uncredited) |
THE SAVING OF BILL BLEWITT | 1936 | Producer |
NIGHT MAIL | 1936 | Sound Direction |
RAINBOW DANCE | 1936 | Producer |
MESSAGE FROM GENEVA | 1936 | Director |
LINE TO THE TSCHIERVA HUT | 1937 | Director (uncredited) |
MEN OF THE ALPS | UK/Switzerland, 1937 | Director (uncredited) |
WHO WRITES TO SWITZERLAND? | 1937 | director |
BIG MONEY | 1937 | Producer |
WE LIVE IN TWO WORLDS / WE LIVE IN TWO WORLDS: A FILM TALK BY J.B. PRIESTLEY | 1937 | Director |
FOUR BARRIERS | 1937 | Director (uncredited) |
DAILY ROUND | 1937 | Producer |
BOOK BARGAIN | 1937 | Producer |
NORTH OF THE BORDER | 1937 | Producer |
MONY A PICKLE | 1938 | Director, Producer |
HAPPY IN THE MORNING: A FILM FANTASY | 1938 | Director, Producer, Screenplay |
NORTH SEA | 1938 | Producer |
SPEAKING FROM AMERICA | 1938 | Producer (uncredited) |
LOVE ON THE WING | 1938 | Producer |
N OR NW | 1938 | Supervisor |
MID-SUMMER DAY'S WORK | 1939 | Director |
AT THE THIRD STROKE | 1939 | Producer |
SPARE TIME / BRITISH WORKERS | 1939 | Producer |
MEN IN DANGER | 1939 | Producer |
HEALTH FOR THE NATION | 1939 | Production |
THE CHILTERN COUNTRY | 1939 | Director |
THE CITY: A FILM TALK BY SIR CHARLES BRESSEY | 1939 | Producer |
THE FIRST DAYS | 1939 | Produced by |
YELLOW CAESAR | 1940 | Director |
YOUNG VETERAN | 1940 | Producer |
ALICE IN SWITZERLAND | 1940 | Director |
FORTY MILLION PEOPLE | 1940 | Production |
SPRING OFFENSIVE | 1940 | Producer |
LA CAUSE COMMUNE | 1940 | Director |
FACTORY FRONT | 1940 | Director |
MASTERY OF THE SEA | 1940 | Director |
FRENCH COMMUNIQUE | 1940 | Producer |
MEN OF THE LIGHTSHIP | 1940 | Producer |
SALVAGE WITH A SMILE | 1940 | Producer |
SEA FORT | 1940 | Producer |
SQUADRON 992 | 1940 | Produced by |
TURNED OUT NICE AGAIN | 1941 | Consulting Art Director (uncredited) |
YOUNG VETERANS | 1941 | Producer |
FILM AND REALITY | 1942 | Extracts selected |
WENT THE DAY WELL? | 1942 | Director |
FIND, FIX AND STRIKE | 1942 | Producer |
THE FOREMAN WENT TO FRANCE / SOMEWHERE IN FRANCE | 1942 | Associate Producer |
THE BIG BLOCKADE | 1942 | Associate Producer |
TROIS CHANSONS DE LA RESISTANCE / SOUP BEFORE SUNRISE | France, 1943 | Director |
THE GREEK TESTAMENT | 1943 | Producer |
WATERLIGHT | 1943 | DIRECTOR |
CHAMPAGNE CHARLIE | 1944 | Director |
THE HALFWAY HOUSE | 1944 | Associate Producer |
DEAD OF NIGHT | 1945 | Director 2/4 (uncredited) |
THE SKY'S THE LIMIT | 1945 | Director |
THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY | 1947 | Director |
THEY MADE ME A FUGITIVE / I BECAME A CRIMINAL / THEY MADE ME A CRIMINAL | 1947 | Director |
THE FIRST GENTLEMAN / AFFAIRS OF A ROGUE | 1948 | Director |
FOR THEM THAT TRESPASS | 1948 | Director |
CAICARA | Brazil, 1950 | producer, script |
SANTUARIO | Brazil, 1951 | Director |
ANGELA | Brazil, 1951 | screenplay |
TERRA E' SEMPRE TERRA | Brazil, 1951 | Director |
PAINEL | Brazil, 1952 | producer |
SIMAO, O CAOLHO / SIMON THE ONE-EYED / ONE-EYED SIMON | Brazil, 1952 | Director |
O CANTO DO MAR / THE SONG OF THE SEA | Brazil, 1953 | Director |
A MULHER DE VERDADE / A REAL WOMAN | Brazil, 1954 | Director |
HERR PUNTILA UND SEIN KNECHT MATTI / MR PUNTILA AND HIS SERVANT MATTI | Austria1956 | Director, Screenplay |
LA PRIMA NOTTE / LES NOCES VENITIENNES | Italy/France, 1959 | Director |
THE MONSTER OF HIGHGATE PONDS | 1960 | Director |
HOW TO BE A HOSTESS | 1961 | Director |
THE STORY OF ISRAEL: THUS SPAKE THEODOR HERZL | Israel, 1967 | Director |
LES LETTRES DE STALINGRAD | France, 1969 | Cast Member |
UN HOMEN E O CINEMA / ONE MAN AND THE CINEMA | Brazil, 1977 | Director |
GRIERSON | Canada, 1973 | on-screen participant |
SERA QUE ELA AGUENTA? | Brazil, 1977 | cast member |
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Television credits |
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CINEASTES DE NOTRE TEMPS: La Première Vague | ORTF (France), 1968 | interviewee |
LES EMPAILLES | ORTF (France), 1969 | director |
ARENA: CINEMA | BBC2 tx 16/2/1977 | Interviewee |
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