|
Film credits |
|
SMITH, OUR FRIEND | 1946 | producer; photography |
WHAT A LIFE! | 1948 | camera assistant (uncredited) |
NIGHT AND THE CITY | US/UK, 1950 | focus puller (2nd unit) |
EVERY FIVE MINUTES | 1951 | photography |
FROM PLAN INTO ACTION | 1951 | photography |
FORWARD A CENTURY | 1951 | photography |
THREE INSTALLATIONS | 1951 | photography |
FESTIVAL, 1951 | 1952 | photography |
AT WHOSE DOOR? | 1952 | photography |
WE WHO ARE YOUNG | 1952 | photography |
THE PLEASURE GARDEN | 1952 | photography |
WAKEFIELD EXPRESS | 1952 | director of photography |
POWER SIGNAL LINEMAN | 1953 | photography |
SUNDAY BY THE SEA | 1953 | photography |
HIGH SPEED | 1953 | photography |
ONE GREAT VISION | 1953 | photography |
BOW BELLS | 1954 | photography |
THURSDAY'S CHILDREN | 1954 | photography |
THE PASSING STRANGER | 1954 | photography |
FRIEND OF THE FAMILY | 1955 | photography |
ANOTHER SKY / SOUTH / EI SUR | 1955 | photography |
HENRY | 1955 | photography |
CONTINUOUS OBSERVATION | 1955 | photography |
THE CHILDREN UPSTAIRS | 1955 | photography |
100,000 CHILDREN | 1955 | photography |
FOOT AND MOUTH | 1955 | photography |
WHY BRI | 1955 | director of photography |
BRIGHTON STORY | 1955 | photography |
TO KORITSI ME TA MAVRA / THE GIRL IN BLACK / WOMAN IN BLACK | Greece, 1955 | photography |
TOGETHER / GLASS MARBLES | 1956 | additional photography |
DU UND MANCHER KAMERAD / THE GERMAN STORY / YOU AND YOUR PAL | 1956 | translator; English commentary |
SIMON | 1956 | photography |
THE GENTLE CORSICAN | 1956 | photography |
RETURN FROM THE SUN | 1956 | photography |
MOMMA DON'T ALLOW | 1956 | photography |
BERNARD SHAW / GEORGE BERNARD SHAW | 1957 | photography |
EVERY DAY EXCEPT CHRISTMAS | 1957 | director of photography |
TO TELEFTEO PSEMA / A MATTER OF DIGNITY | Greece, 1957 | photography |
TEN BRIDGES | 1957 | photography |
CHILDREN'S CORNER | UK/Switzerland, 1957 | director |
A.B.C. - (Aruba, Bonaire, Curacao) | Netherlands, 1958 | photography |
ALONE WITH THE MONSTERS | 1958 | director of photography |
JAGO HUA SAVERA / DAY SHALL DAWN / WAKE UP, IT'S MORNING | Pakistan, 1958 | photography |
A SONG FOR PRINCE CHARLIE | 1958 | production unit |
BESIDE THE SEASIDE | 1958 | director of photography |
BEAT GIRL | 1959 | director of photography |
BRITAIN'S WEALTH FROM COAL | 1959 | photography |
WE ARE THE LAMBETH BOYS | 1959 | photography |
ENQUIRY INTO GENERAL PRACTICE | 1959 | photography |
REFUGE ENGLAND | 1959 | photography |
EROICA / OUR LAST SPRING | Greece, 1960 | photography |
MIDSUMMER MUSIC | 1960 | photography |
ALIKI STO NAFTIKO / ALIKI IN THE NAVY | Greece, 1960 | director of photography |
LET MY PEOPLE GO | 1961 | photography |
ELEKTRA / ELECTRA | Greece, 1961 | photography |
I LIZA KAI I ALLI / LIZA AND HER DOUBLE | Greece, 1961 | photography |
A TASTE OF HONEY | 1961 | director of photography |
THE LONELINESS OF THE LONG DISTANCE RUNNER | 1962 | director of photography |
TOM JONES | 1963 | director of photography |
LILA | 1964 | photography |
THE PEACHES | 1964 | photography |
PSYCHE 59 | 1964 | director of photography |
ZORBA THE GREEK / ZORMBA | US/Greece, 1964 | photography |
DAN | 1965 | director |
THE GREEKS | 1967 | director |
THE DAY THE FISH CAME OUT | Greece/UK, 1967 | photography |
OEDIPUS THE KING | 1967 | director of photography |
JOANNA | 1968 | director of photography |
OLIMPIADA EN MEXICO / THE OLYMPICS IN MEXICO | 1968 | photography |
THREE INTO TWO WON'T GO | 1968 | director of photography |
ANICHTI EPISTOLI / OPEN LETTER | Greece, 1968 | photography |
KATASKOPI STO SARONIKO / ASSIGNMENT SKYBOLT / OPERATION SKYBOLT / OUR MAN IN GREECE | Greece, 1968 | director of photography |
THE ADDING MACHINE | 1969 | photography |
TWINKY / LOLA | UK/Italy, 1969 | director of photography |
HENRY MOORE / HENRY MOORE AT THE TATE GALLERY | 1970 | director |
SOMETHING FOR EVERYONE / THE ROOK / THE COOK / BLACK FLOWERS FOR THE BRIDE | US, 1970 | director of photography |
LE MANS / DAY OF THE CHAMPION / 24 HOURS OF LE MANS | US, 1971 | director of photography (uncredited) |
ADVENTURES OF A BROWN MAN IN SEARCH OF CIVILISATION | 1971 | photography |
CAN HORSES SING? | 1971 | photography |
TO KILL A CLOWN / CHOKE CHERRY BAY / CHOKE BERRY BAY | 1971 | director of photography |
SAVAGES | US, 1972 | photography |
GUNS BEFORE BUTTER | UK/W. Germany, 1972 | photography |
GIRLING WSP | 1972 | photography |
HAPPY MOTHER'S DAY... LOVE GEORGE / RUN, STRANGER, RUN | Switzerland, 1973 | director of photography |
THE SEAWEED CHILDREN / MALACHI'S COVE | 1973 | director of photography |
VISIONS OF EIGHT | US, 1973 | photography |
THE WILD PARTY | US, 1974 | photography |
APRES LE VENT DES SABLES / LA TRAME / THE WEB | Belgium/France, 1974 | director of photography |
WSP | 1974 | photography |
THIS GAME OF GOLF | 1974 | photography |
RIDER | UK/Greece, 1974 | director of photography |
REQUIEM FOR A VILLAGE | 1975 | additional photography |
AUTOBIOGRAPHY OF A PRINCESS | 1975 | photography |
PLEASANTVILLE | 1976 | director of photography |
FLUCHTVERSUCH | W.Germany/Austria, 1976 | director of photography |
CARVED IN IVORY | US, 1976 | photography |
THE GREAT GEORGIA BANK HOAX / SHENANIGANS / THE GREAT BANK HOAX / REMEMBER THOSE POKER-PLAYING MONKEYS | US, 1977 | photography |
DIE FRAU GEGENÜBER / THE WOMAN ACROSS THE WAY | W. Germany, 1978 | photography |
HULLABALOO OVER GEORGIE AND BONNIE'S PICTURES | India/UK, 1978 | photography |
SOMETHING SHORT OF PARADISE | US, 1979 | photography |
THE BLOOD OF HUSSAIN | UK/Pakistan, 1980 | director of photography |
THE PILOT | Canada, 1980 | photography |
DER PREIS FÜRS ÜBERLEBEN / THE PRICE OF SURVIVAL | W. Germany/France, 1980 | director of photography |
GAUGUIN THE SAVAGE / IN SEARCH OF EDEN | US, 1980 | photography |
ENGEL AUS EISEN / ANGELS OF IRON | W. Germany/US, 1981 | director of photography |
MEMOIRS OF A SURVIVOR | 1981 | director of photography |
HEAT AND DUST | 1982 | director of photography |
TUXEDO WARRIOR / THE AFRICAN RUN | 1982 | director of photography |
DER ZAUBERBERG / THE MAGIC MOUNTAIN | W. Germany/France, 1982 | director of photography (uncredited) |
THE CASE OF MARCEL DUCHAMP / DUCHAMP - THROUGH THE GLASS DARKLY | 1983 | photography |
PRIVATE SCHOOL / PRIVATE SCHOOL FOR GIRLS | US, 1983 | director of photography |
THE BOSTONIANS | UK/US, 1984 | director of photography |
THE BENGAL LANCERS / THE LIVES OF A BENGAL LANCER | 1984 | director of photography |
THE DECEIVERS | 1988 | director of photography |
THE PERFECT MURDER | India, 1988 | director of photography |
FRAGMENTS OF ISABELLA | Eire/UK, 1991 | photography |
THE BALLAD OF THE SAD CAFE | US, 1991 | director of photography |
DIARY OF A MADMAN | Eire, 1992 | director of photography |
NATURE PERFECTED: Ancient Spirits: China and Japan | Channel 4 tx 21/1/1994 | director |
SILENT FILM | 1996 | photography |
|
Television credits |
|
BRITISH ART AND ARTISTS: A Sculptor's Landscape | BBC tx 29/6/1958 | photography |
THE NIGHT APART | 1959 | director of photography |
TOO FAR TO GO | NBC (US) tx 12/3/1979; BBC1 tx 3/12/1979 | photography |
GREAT PERFORMANCES: Life on the Mississippi | PBS (US) 24/11/1980 | director of photography |
GREAT PERFORMANCES: The Private History of a Campaign That Failed | PBS (US) tx 6/4/1981 | director of photography |
CBS CHILDREN'S MYSTERY THEATRE: Mystery at Fire Island | CBS (US) tx 27/11/1981 | director of photography |
GREAT PERFORMANCES: The Mysterious Stranger | HBO (US) tx 5/5/1982 | director of photography |
AMERICAN PLAYHOUSE: The Tragedy of Pudd'nhead Wilson | PBS (US) tx 24/1/1984 | photography |
THE WANDERING COMPANY | Channel 4 tx 3/10/1984 | on-screen participant |
AMERICAN PLAYHOUSE: The Adventures of Huckleberry Finn | PBS (US) tx 10/2/1986 | director of photography |
MRS. DELAFIELD WANTS TO MARRY | CBS (US) tx 30/3/1986 | director of photography |
THE MAN UPSTAIRS | CBS (US) tx 6/12/1992 | photography |
HOLLYWOOD U.K. BRITISH CINEMA IN THE SIXTIES: The Last Wave | BBC1 tx 3/10/1993 | interviewee |
CAST & CREW: Loneliness of the Long Distance Runner | BBC Four tx 30/11/2002 | on-screen participant |