|
Film Credits |
|
TURKSIB | 1929 | English version recut and retitled by |
DRIFTERS | 1929 | director; editor |
CONQUEST | 1930 | constructed by |
INDUSTRIAL BRITAIN | 1931 | producer |
SHADOW ON THE MOUNTAIN AN EXPERIMENT ON THE WELSH HILLS | 1931 | producer |
O'ER HILL AND DALE | 1932 | producer |
UPSTREAM | 1932 | producer |
THE COUNTRY COMES TO TOWN | 1933 | producer (uncredited) |
CABLE SHIP | 1933 | producer |
CARGO FROM JAMAICA | 1933 | producer |
THE COMING OF THE DIAL | 1933 | producer |
SPRING ON THE FARM | 1933 | producer |
TELEPHONE WORKERS | 1933 | producer |
WINDMILL IN BARBADOS | 1933 | producer |
LINER CRUISING SOUTH | 1933 | producer (uncredited) |
GRANTON TRAWLER | 1934 | director (uncredited); photography |
KING LOG | 1934 | producer |
THE NEW OPERATOR | 1934 | producer |
PETT AND POTT A FAIRY STORY OF THE SUBURBS | 1934 | producer |
POST HASTE | 1934 | producer |
SPRING COMES TO ENGLAND | 1934 | producer |
WEATHER FORECAST | 1934 | producer |
6.30 COLLECTION | 1934 | producer |
THE SONG OF CEYLON | 1934 | producer / voice of commerce (uncredited) |
AERO ENGINE | 1934 | producer |
A COLOUR BOX | 1935 | producer |
BANKING FOR MILLIONS | 1935 | producer |
INTRODUCING THE DIAL | 1935 | producer |
BBC THE VOICE OF BRITAIN | 1935 | producer |
COAL FACE | 1935 | production |
BBC - DROITWICH | 1935 | producer |
NIGHT MAIL | 1936 | producer (uncredited); script (uncredited) |
THE SAVING OF BILL BLEWITT | 1936 | producer (uncredited) |
A JOB IN A MILLION | 1937 | producer |
LINE TO THE TSCHIERVA HUT | 1937 | producer (uncredited) |
CHILDREN AT SCHOOL | 1937 | producer |
THE SMOKE MENACE | 1937 | producer |
WE LIVE IN TWO WORLDS | 1937 | producer |
DAILY ROUND | 1937 | producer |
TRADE TATTOO: THE RHYTHM OF WORK-A-DAY BRITAIN | 1937 | producer |
THE FACE OF SCOTLAND | 1938 | producer (uncredited) |
BURIED TREASURE | 1939 | supervision |
THE LONDONERS | 1939 | producer |
UNESCO | 1948 | arranged by / narrator |
JUDGEMENT DEFERRED | 1951 | executive producer |
BRANDY FOR THE PARSON | 1952 | executive producer |
THE BRAVE DON'T CRY | 1952 | executive producer |
MISS ROBIN HOOD | 1952 | executive producer |
TIME GENTLEMEN PLEASE! | 1952 | executive producer |
YOU'RE ONLY YOUNG TWICE! | 1952 | executive producer |
MAN OF AFRICA | 1953 | producer |
BACKGROUND | 1953 | executive producer (uncredited) |
LAXDALE HALL | 1953 | executive producer |
THE ORACLE | 1953 | executive producer |
CHILD'S PLAY | 1954 | executive producer |
DEVIL ON HORSEBACK | 1954 | producer |
JOHN GRIERSON / JOHN GRIERSON AT THE NATIONAL FILM THEATRE | 1959 | on-screen participant |
SEAWARDS THE GREAT SHIPS | 1960 | original outline |
THE HEART OF SCOTLAND | 1961 | treatment |
THE IMAGE MAKERS | Canada, 1980 | narrator |
|
Television Credits |
|
THE PROJECTION OF BRITAIN: THE STORY OF THE BRITISH DOCUMENTARY FILM: Beginnings (1929-1939) | BBC tx 23/11/1954 | presenter |
THIS WONDERFUL WORLD | ITV (Scotland) 1957-1967; ITV (London) tx 15/9/1958 - 31/12/1968 (196 edns) | presenter |
HITCHCOCK ON GRIERSON | ITV (Scotland) tx 1/1/1965 | subject of film |
OMNIBUS: Eisenstein | BBC1 tx 6 & 13/12/1970 (2 pts) | presenter |
OMNIBUS: The Name Grierson - The Word Documentary | BBC1 tx 25/2/1973 | subject of film |
CREATIVE PROCESS: Norman McLaren | CBC (Canada) tx 17/1/1991; | voice |