|
Film credits |
|
MARIUS | France, 1931 | art director |
MEN OF TOMORROW / YOUNG APOLLO | 1932 | designer |
WEDDING REHEARSAL | 1932 | designer |
THE GIRL FROM MAXIM'S | 1933 | art director |
THE PRIVATE LIFE OF HENRY VIII / HENRY VIII / OH HENRY | 1933 | settings designer |
THE PRIVATE LIFE OF DON JUAN / EXIT DON JUAN / DON JUAN | 1934 | sets |
CATHERINE THE GREAT / THE RISE OF CATHERINE THE GREAT | 1934 | art director |
THE GHOST GOES WEST | 1935 | sets design |
MOSCOW NIGHTS / NATACHA / I STAND CONDEMNED | 1935 | art director (uncredited) |
SANDERS OF THE RIVER / KONGO RAID | 1935 | designer |
THE SCARLET PIMPERNEL | 1935 | settings |
THE MAN WHO COULD WORK MIRACLES / THE MIRACLE MAN | 1936 | settings designer |
MEN ARE NOT GODS / TRIANGLE | 1936 | settings designer |
THINGS TO COME / THE SHAPE OF THINGS TO COME / H.G. WELLS' THINGS TO COME / WHITHER MANKIND | 1936 | settings designer |
REMBRANDT | 1936 | settings designer |
ACTION FOR SLANDER | 1937 | supervising art director |
ELEPHANT BOY | 1937 | design (uncredited) |
THE SQUEAKER / MURDER ON DIAMOND ROW | 1937 | settings |
21 DAYS / THE FIRST AND THE LAST / 21 DAYS TOGETHER | 1937 | settings designer |
THE DRUM / THE DRUMS | 1938 | settings designer |
PRISON WITHOUT BARS | 1938 | supervising art director |
THE CHALLENGE | 1938 | supervising art director |
THE FOUR FEATHERS | 1939 | settings designer |
Q PLANES / CLOUDS OVER EUROPE | 1939 | supervising art director |
THE SPY IN BLACK / U-BOAT 29 | 1939 | supervising art director |
OVER THE MOON | 1939 | settings designer |
THE CONQUEST OF THE AIR | 1940 | designer (uncredited) |
OLD BILL & SON | 1940 | art director |
THE THIEF OF BAGDAD / THE THIEF OF BAGDAD: AN ARABIAN FANTASY IN TECHNICOLOR / THE THIEF OF BAGHDAD | 1940 | production designer |
LYDIA / ILLUSIONS | US, 1941 | production designer |
MAJOR BARBARA | 1941 | production designer |
JUNGLE BOOK | US, 1942 | production designer |
TO BE OR NOT TO BE / TO SPY OR NOT TO SPY / LES JEUX DANGEREUX | 1942 | production designer |
PERFECT STRANGERS / A VACATION FROM MARRIAGE | 1945 | art director |
AN IDEAL HUSBAND | 1947 | art director |
BONNIE PRINCE CHARLIE | 1948 | art director |
ANNA KARENINA | 1948 | set designer (uncredited) |
THE FALLEN IDOL / THE LOST ILLUSION | 1948 | set designer |
THE THIRD MAN | 1949 | set designer |
THE HOLLY AND THE IVY | 1952 | set designer |
HOME AT SEVEN / MURDER ON MONDAY | 1952 | art director |
THE SOUND BARRIER / BREAKING THE SOUND BARRIER / BREAKING THROUGH THE SOUND BARRIER | 1952 | set designer |
OUTCAST OF THE ISLANDS | 1952 | set designer |
THE STORY OF GILBERT AND SULLIVAN / THE GREAT GILBERT AND SULLIVAN / MISTER GILBERT AND MISTER SULLIVAN | 1953 | thanks to |
MALAGA / FIRE OVER AFRICA | 1954 | art director |
THE DEEP BLUE SEA | 1955 | production designer |
SUMMER MADNESS / SUMMERTIME | US/UK, 1955 | production designer |
SCENT OF MYSTERY / HOLIDAY IN SPAIN | US, 1960 | art director |
THE LONGEST DAY | US, 1962 | art director |
THE YELLOW ROLLS-ROYCE | 1964 | European sequences art director |