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Film & TV credits
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| Film Credits |
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BORN LUCKY | 1932 | clapper boy |
AFTER DARK | 1932 | clapper boy |
MONEY FOR SPEED | 1933 | clapper boy |
FOLLOW THE LADY | 1933 | clapper boy |
TWO WIVES FOR HENRY | 1933 | clapper boy |
HIS MAJESTY AND CO. | 1934 | clapper boy |
JOSSER ON THE FARM | 1934 | clapper boy |
ROLLING IN MONEY | 1934 | clapper boy |
THE THIRD CLUE | 1934 | clapper boy |
BLOSSOM TIME | 1934 | clapper boy |
MISTER CINDERS | 1934 | clapper boy (uncredited) |
BLUE SMOKE | 1935 | assistant camera |
LATE EXTRA | 1935 | assistant camera |
WHITE LILAC | 1935 | assistant camera |
ABDUL THE DAMNED | 1935 | clapper boy |
SMITH'S WIVES | 1935 | assistant camera |
OLD ROSES | 1935 | assistant camera |
ALL AT SEA | 1935 | assistant camera |
SEXTON BLAKE AND THE MADEMOISELLE | 1935 | assistant camera |
THE BIG NOISE | 1936 | assistant camera |
BLIND MAN'S BUFF | 1936 | assistant camera |
CAFÉ MASCOT | 1936 | assistant camera |
THE END OF THE ROAD | 1936 | assistant camera |
TROUBLED WATERS | 1936 | assistant camera |
WEDDING GROUP | 1936 | assistant camera |
HIGHLAND FLING | 1936 | assistant camera |
CONCERNING MR. MARTIN | 1937 | assistant camera |
AGAINST THE TIDE | 1937 | assistant camera |
CATCH AS CATCH CAN | 1937 | assistant camera |
£5 MAN | 1937 | assistant camera |
STRANGE EXPERIMENT | 1937 | assistant camera (uncredited) |
THE BLACK TULIP | 1937 | assistant camera |
CALLING ALL MA'S | 1937 | assistant camera |
VARIETY HOUR | 1937 | assistant camera |
MURDER IN THE FAMILY | 1938 | assistant camera |
SECOND THOUGHTS | 1938 | assistant camera |
WHO GOES NEXT? | 1938 | camera operator |
LONDONDERRY AIR | 1938 | assistant camera |
I MET A MURDERER | 1939 | camera operator |
GREEN FOR DANGER | 1946 | cameraman |
CAPTAIN BOYCOTT | 1947 | cameraman |
BLANCHE FURY | 1947 | camera operator |
THE PASSIONATE FRIENDS | 1948 | camera operator |
OLIVER TWIST | 1948 | camera operator |
FOOLS RUSH IN | 1949 | camera operator |
THE ADVENTURERS | 1950 | director of photography |
CIRCLE OF DANGER | 1950 | director of photography |
GOLDEN SALAMANDER | 1950 | lighting cameraman |
CAIRO ROAD | 1950 | director of photography |
THE CARD | 1952 | director of photography |
SO LITTLE TIME | 1952 | director of photography |
SATURDAY ISLAND | 1952 | director of photography |
SOUTH OF ALGIERS | 1952 | director of photography |
MOULIN ROUGE | 1953 | director of photography |
INDISCRETION OF AN AMERICAN WIFE / STAZIONE TERMINI | Italy / US, 1953 | director of photography (uncredited) |
BEAT THE DEVIL | US / UK / Italy, 1953 | director of photography |
BEAU BRUMMELL | 1954 | director of photography |
MONSIEUR RIPOIS | 1954 | director of photography |
THE MAN WHO NEVER WAS | 1955 | director of photography |
MOBY DICK | UK / US, 1956 | director of photography / colour style creation |
A FAREWELL TO ARMS | US, 1957 | director of photography |
HEAVEN KNOWS, MR. ALLISON | UK / US, 1957 | director of photography |
THE KEY | UK / US, 1958 | director of photography |
THE ROOTS OF HEAVEN | US, 1958 | director of photography |
LOOK BACK IN ANGER | 1959 | director of photography |
THE ENTERTAINER | 1960 | director of photography |
OUR MAN IN HAVANA | UK / US, 1960 | director of photography |
THE GUNS OF NAVARONE | UK / US, 1961 | director of photography |
SATAN NEVER SLEEPS | US / UK, 1962 | director of photography |
TERM OF TRIAL | 1962 | director of photography |
COME FLY WITH ME | 1962 | director of photography |
LOLITA | UK / US, 1962 | director of photography |
FACING THE FACTS | UK / US, 1963 | director of photography |
THE CEREMONY | US / Spain, 1963 | director of photography |
THE PUMPKIN EATER | 1964 | director of photography |
OF HUMAN BONDAGE | 1964 | director of photography |
MISTER MOSES | 1965 | director of photography |
THE HILL | 1965 | director of photography |
THE BATTLE OF THE VILLA FIORITA | US / UK, 1965 | director of photography |
THE SPY WHO CAME IN FROM THE COLD | UK / US, 1965 | director of photography |
LIFE AT THE TOP | 1965 | director of photography |
STOP THE WORLD I WANT TO GET OFF | 1966 | director of photography |
THE TAMING OF THE SHREW | US / Italy, 1966 | director of photography |
THE GREAT CATHERINE | 1967 | director of photography |
REFLECTIONS IN A GOLDEN EYE | UK / US, 1967 | director of photography (uncredited) |
THE WINTER'S TALE | 1968 | director of photography |
OLIVER! | UK / US, 1968 | director of photography |
GOODBYE, MR. CHIPS | 1969 | director of photography |
FRAGMENT OF FEAR | 1970 | director of photography |
SCROOGE | 1970 | director of photography |
FIDDLER ON THE ROOF | US, 1971 | director of photography |
LADY CAROLINE LAMB | 1972 | director of photography |
SLEUTH | US, 1972 | director of photography |
THE MACKINTOSH MAN | US, 1973 | director of photography |
THE ODESSA FILE | UK / West Germany / Netherlands, 1974 | director of photography |
THE MAN WITH THE GOLDEN GUN | 1974 | director of photography |
THE MAN WHO WOULD BE KING | US, 1975 | director of photography |
THE SEVEN-PER-CENT SOLUTION | US, 1976 | director of photography |
EQUUS | 1977 | director of photography |
THE WIZ | US, 1978 | director of photography |
JUST TELL ME WHAT YOU WANT | US, 1980 | director of photography |
THE GREAT MUPPET CAPER | 1981 | director of photography |
THE DARK CRYSTAL | UK / US, 1982 | director of photography |
JOHN HUSTON | US, 1988 | on-screen participant |
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Film Credits |
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CINEMA: Oswald Morris | ITV tx 23/3/1972 | interviewee |
DRACULA | US tx 8/2/1974; ITV tx 19/10/1981 | director of photography |
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