|
Film Credits |
|
THE ANCESTRY OF SCIENCE: The Perception of Life | 1964 | director / microphotography / editor |
THE VAGABONDS | 1964 | director (uncredited) |
WHOLLY COMMUNION | 1965 | director / producer / photography / editor |
BENEFIT OF THE DOUBT | 1965 | director / photography / editor |
CHARLIE IS MY DARLING | 1965 | director / photography / editor |
PARALLELS | 1965 | director |
THE ENTERTAINER | 1966 | director |
LOOK BACK IN ANGER | 1966 | director |
TONITE LET'S ALL MAKE LOVE IN LONDON | 1967 | director / producer / script (uncredited) / photography / editor |
FIVE FILMS: Malaise | 1967 | voice |
WE LOVE YOU | 1967 | director |
PINK FLOYD LIVE IN LONDON 1966-67 | 1967 | director / photography / editor |
JEANETTE COCHRANE | 1967 | director |
IS VENICE SINKING? | 1968 | photography |
THE FALL | 1968 | a film by / cast member / original music (uncredited) |
NOTHING TO DO WITH ME | 1969 | on-screen participant |
LED ZEPPELIN LIVE AT THE ROYAL ALBERT HALL | 1970 | director |
DADDY | Switzerland, 1973 | director / photography / editor |
THE LONDON ROCK'N'ROLL SHOW | 1973 | photography |
SOUND OF THE CITY: LONDON 1964-73 | 1974 | photography / additional editing |
A DREAM LONGER THAN THE NIGHT / UN RÊVE PLUS LONG QUE LA NUIT | France, 1976 | music |
FIRE IN THE WATER | Switzerland, 1977 | director / script / photography / editing |
NIKI DE SAINT PHALLE: WHO IS THE MONSTER - YOU OR ME? / NIKI DE SAINT PHALLE - WER IST DAS MONSTER - DU ODER ICH? | Germany, 1995 | photography |
THE FALCONER | 1997 | subject of film / on-screen participant |
|
Television Credits |
|
OMNIBUS: Video Jukebox | BBC1 tx 9/5/1986 | interviewee |