In May 1970, the provocative counterculture magazine 'Oz' published a special
issue edited entirely by secondary school children. Despite its meagre
circulation (around 30,000), the issue resulted in its editors - Richard
Neville, James Anderson and Felix Dennis - being put on trial. They were accused of three very serious crimes: sending indecent material through the post,
contravening the Obscene Publications Act and most seriously of all, conspiring
to corrupt public morals, an offence carrying a potential life sentence. Author
and barrister John Mortimer QC defended two of the editors, while Neville
eloquently defended himself.
The television script by Geoffrey Robertson, who was part of the original
defence team, sticks to the letter of the transcripts (the opening disclaimer
reads, 'All dialogue guaranteed verbatim') and successfully provides a snapshot
of some of the best-known parts of what, at 27 days, remains the longest-ever
British obscenity trial (Mortimer's final summation alone took several hours).
The presentation of the play emphasises the absurdity of much that took place in
court, such as the celebrated exchanges on the actual age of Rupert Bear, or
George Melly's re-definition oral sex for the judge as 'yodelling in the
canyon', with a determinedly artificial style. The walls of the courtroom
include giant blow-ups of pages from the magazine while the upper galleries have
cardboard cut-outs instead of a live audience.
Of the portrayals of the many celebrities who gave evidence, the most
convincing is probably Nigel Planer's uncannily accurate impersonation of radio
DJ John Peel, while Simon Callow is excellent as Mortimer, ably replicating his
slack-jaw countenance and light voice as well as his passion and occasional
impatience, as witness his irritation at the long-winded responses by Scotland
Yard's pompous Detective Inspector Luff, who claims that reading 'Oz' would lead
to a "dirtying of the mind". Nigel Hawthorne and Leslie Phillips represent the
Establishment in court and Phillips is particularly good delivering the
disdainful summing up of Judge Argyle that was largely responsible for the
guilty verdict being so quickly overturned.
The play includes some very strong language and Jonathan Dimbleby gave
several warnings of this in his introduction to the original screening, which
coincided with the trial's twentieth anniversary. Dimbleby also hosted a
post-transmission debate, which included the three editors as well as Robertson
and 'Oz' contributor Germaine Greer, none of whom had seemingly lost their sense
of irony or combative spirit in the intervening years.
Sergio Angelini
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