Developing (or echoing) a format originated some two decades earlier
in Living in the Past (BBC, 1978), The 1900 House became one of the founding
examples of a sub-genre of the late 1990s boom in 'reality TV', often described
as 'social experiment' TV.
The programme recorded the attempts of the Bowler family - Royal Marines officer Paul, civil servant Joyce and their four children, 16 year-old Kathryn, 11 year-old twins Ruth and Hilary and 9 year-old Joe - to survive a
three-month "unique human experiment": living as a Victorian family in a fully
furnished Victorian house, under Victorian restrictions. This meant cooking on a
coal fire, using an outside toilet, living without modern cleaning products and
wearing period dress. The programme's intention was to demonstrate the impact of
20th century technology through its absence.
The 1900 House might have been a modest educational series of
interest mostly to those with a historical bent. Indeed, the first episode concentrated on
interviews with various historians explaining how Victorian domestic appliances
were used. However, its success suggests that audiences had seen something more
than a historical study of household appliances.
The half-hourly editions interspersed footage of the Bowlers' experiences
with by-now familiar video diaries from the family members. This enabled the
audience to build a connection with the participants as they confessed to
sneaking in shampoo and struggling under their new environment. The historical
programme had managed to incorporate audience-pleasing ingredients, tension,
rows and breaking of the rules. The series became at least as much about the way
the Bowlers coped with their privations as it was about the late-Victorian
Britain it purported to recreate.
Regardless, the formula proved extremely popular. From a 'reality' genre that
had, by the mid-1990s, already won huge audiences by presenting real people in
their day-to-day professional lives in 'docusoaps' such as Airport (BBC, 1996)
and Hotel (BBC, 1997), The 1900 House demonstrated the existence of substantial
audience interest in observing real people in unreal situations.
The 1900 House won the Peabody award in 2001, and its producers, Wall to Wall
Television, extended the formula to other eras, including recreations of WWII
domestic conditions in The 1940s House (2001), Pre-WWI Britain in The Edwardian
Country House (2001) and even the old American West in Pioneer House (2005).
Nicole Maycock
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