This soap serial, in trying to demonstrate an earthy, natural society,
succeeded somehow in showing how very nice, how indomitably life-loving, how
British and human and working-class life is.
Inspired to some extent by Granada TV's success with Coronation Street (ITV,
1960-), ATV's Market in Honey Lane was a very conventional TV serial, setting up
minor heartbreaks and conflicts so that the writers could dissolve them,
usually, in a flood of cosy sentimentality.
The series was conceived by writer Louis Marks, and was based on the bustle
and vivacity of the pavement jungle in Soho's Berwick Street Market.
Unexpectedly, Marks went on to produce classic drama for the BBC's Play of the
Month (1965-83), as well as Arthur Miller's The Crucible (BBC, tx. 12/4/1981)
and several editions of Play for Today (1970-84).
Although this form of serialised TV drama is intended to explore the
complexity of human relationships - in this case, the market stallholders and
the local people - the viewer is often asked to suspend belief in the mercenary
motives of all concerned. The central characters in the series' early period
were stall owners Billy Bush (played by a wily John Bennett), Jacko Bennett
(Peter Birrel), Polly Jessel (Pat Nye) and her dim-witted son Danny (Brian
Rawlinson).
Market in Honey Lane ran for two series from April 1967 to March 1968, and
was then shown at various times around the schedules (in various regions) with
the title shortened to Honey Lane. The focus of this now twice-weekly serial was
the changing life of the Soho area. Most of the old characters returned
(including Billy Bush and Danny) and were supplemented by new names and new faces; a new market inspector, Mr Barclay (a
repellent Bill Owen) proved to be as 'bent' as a previous inspector.
The series, overall, is deeply embedded in a culture; that of the Cockney
proletariat with its wide boys, stoical mothers and hermetic yet threatening
cosiness. It was not an earth-shaking programme, and certainly not pioneering in
any revolutionary ideas in technique and production, but simply proposed itself
to the casual viewer as a mildly pleasant affair.
Nearly 20 years later, Granada revived the market setting for the shortlived
soap Albion Market (ITV, 1985-86), while the Albert Square market has always
been a regular source of stories in EastEnders (BBC,
1985-).
Tise Vahimagi
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