Nineteen 96 is based on G.F. Newman's 1987 novel The Testing Ground, in which
a senior policeman investigates RUC officers accused of murdering IRA suspects
in a shoot-to-kill policy. The novel also described how senior officials in the
province were involved in a sex scandal at a boy's home. When Newman came to
adapt the novel, he originally planned to retain its contemporary Northern
Ireland setting, but the BBC worried about real-life parallels to Deputy Chief
Constable John Stalker's mid-1980s investigation into shoot-to-kill allegations
(dramatised as Shoot to Kill, ITV, 1990), and consequently asked for the drama
to be rewritten and set in a near-future Wales.
Nevertheless, reviewers immediately picked up on the parallels to the Stalker
Inquiry, while a separate storyline in which a judge and a senior member of MI6
are depicted as paedophiles preying on the pupils of a boy's school was seen as
a thinly disguised version of Belfast's early 1980s' Kincora Boys' Home scandal.
Commander Jack Bentham is the Stalker character, apparently fighting a heroic
battle against wrong-doing by the police and, ultimately, a Conservative
government that has just been voted in for a fifth term (in fact, the Tories
managed four terms). Yet Bentham is compromised by his affair with a key witness
and, at the end, does a somewhat surprising volte face, parroting the official
line that three nurses shot dead at a demonstration were members of a terrorist
group and stonewalling questions from journalists about his shoot-to-kill
investigation.
Nineteen 96 epitomises Newman's brand of uncompromising radical drama, intent
on exposing police corruption and government subterfuge. Yet there is a tendency
to throw too many elements into the mix: Bentham is investigating the killing of
'radical' nurses on a demonstration in London and the rape of another nurse by a
policeman in a police cell as well as the alleged shoot-to-kill policy in Wales
and the sex scandal at a boys' school, and learns of the killing of a judge and
a previous secretary of state by an evidently out-of-control MI6.
All these ingredients, with Bentham commuting between London and Cardiff,
result in an over-complicated plot, and the final scene, in which Bentham
returns to the fold and absolves the police of blame, is barely credible given
his earlier efforts to expose the guilty men. Newman, however, would presumably
argue that Bentham's capitulation is the inevitable consequence of the police
policing themselves.
Lez Cooke
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